Skin Illustrator Palette de tons chair
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PPI Skin Illustrator On Set Necromania Makeup Palette
The Silver Fox Palette (Alcohol Activated Make-up) Non cruelty - Vegan friendly By Dashbo
Body Illustration Make-up Color (BIC) is a compact alcohol make-up that allows the make-up artist to create special color effects on the skin, such as simulations of skin, arteries, veins, injuries with color anomalies, and tattoos. BIC is ideal to paint prosthetic pieces made of silicone but also Cine-Wax and other wax components can be painted. After drying, Body Illustration Make-up Color is smudge- and waterproof. BIC will be applied with a BIC Activator moistened brush. After picking up some color BIC needs to be applied rapidly at the desired area of the skin. Let it dry for some time. Hydro Make-up Remover Oil is recommended for easy removal. Body Illustration Make-up Color Refill is ideal to refill palettes.
The FX Palette Liquids are designed for just about any injury or illness imaginable, they can simulate 1st, 2nd & 3rd. degree burns, cuts, scrapes, scabs, and bruises. The FX Palette seamlessly integrates with the Flesh Tone Palette to create varying degrees of injuries and illnesses. The pigment content is much higher than any other palette available so the Colours go farther and last longer.
Tested on feature film productions by a team of award winning makeup artists, FX has already proven itself a valuable addition to anyone’s makeup kit.
Blood Tone was created specifically to aid the artist in the struggle of feature film continuity and syrup based bloods. It is a realistic natural blood Colour that can easily be altered to a deeper, more theatrical Colour blood with the addition of Ultra Blue. Conventional bloods will wear or flake away after your actor has left the chair, but with a stand alone application of Blood Tone plus a topical application of KY Jelly, your blood work will look good all day without rubbing off or staining the actors costume. When working with the Blood Tone, a thin application of KY provides a nice sheen, while a large dollop gives the appearance of dripping blood. The durability of the Blood Tone Colour allows you the freedom to place your blood in the morning, allow it to dry, and then instantly freshen it to camera-ready quality whenever your actor is actually called to set – even if it’s hours later.
Blood Tone also works exceptionally well as an abrasion resistant under Colour with syrup based bloods. If the conventional blood washes or wears away in a wet scene, the Blood Tone will still be there. Either way – you’re covered!
Mixing certain Colours will not create similar tones, already present in the palette. Mixing the Yellow and the Blue will produce a different green than the Green that is in the palette. Use the Burnt Orange to provide a rust tone. The Aged Blood is a mid-ground aged blood which is not too blue or purple. By taking the Aged Blood and adding it to any other Colour in the palette, you will get a whole new range of Colour.